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Master Anamorphic Lenses

Revolutionary new technology

Master Anamorphic Lenses

Optimized anamorphic bokeh

Master Anamorphic Lenses

Virtually no image breathing

Master Anamorphic Lenses

New developed iris with 15 aperture blades

Looking for an ARRI contact?

ARRI and ZEISS

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Events

Sundance Film Festival

01/22/2015 - 02/01/2015
USA, Park City, Utah

BVE Expo

02/24/2015 - 02/26/2015
United Kingdom, London

CPS/Cinema Production Service

03/03/2015 - 03/05/2015
Russian Federation, Moscow

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Master Anamorphic Lenses

Revolutionary

The Master Anamorphic lenses have been jointly developed by ARRI and Carl Zeiss. The anamorphic lenses offer a unique optical performance, with optimized flare and bokeh as well as state-of-the-art lens barrels featuring improved dust and water protection.

  • Revolutionary new optical technology in anamorphic lenses:
    - Virtually no image breathing
    - No anamorphic mumps (fat face effect)
  • Optimized anamorphic bokeh:
    - Evenly illuminated oval out of focus highlights
    - New developed iris with 15 aperture blades
  • Pleasant out of focus areas with traditional anamorphic look and a unique image language
  • Anamorphic blue streak lines in a very unique new style and optimized flares and reflections for additional artistic look
  • Same reliable mechanics as the market knows from ARRI/ZEISS Master Prime lenses

Application

The Master Anamorphic lenses open up new creative opportunities, making shots possible that would have been considered impossible before. The important and distinguishing visual facet of anamorphic images, the appearance of out-of-focus background elements or bokeh, will be created by the newly developed iris with 15 aperture blades, creating perfectly oval and evenly illuminated out-of-focus highlights. This ensures a pleasing bokeh that filmmakers will enjoy manipulating creatively.

Technical Data

Master Anamorphic
Aperture Close Focus1 Length2 Front diameter Weight AOV3
MA 35 mm/T1.9 T1.9 to T22 0.75 m / 2'6"
183 mm / 7.2'' 95 mm / 3.7'' 2.6 kg / 5.7 lbs 65.5°
MA 40 mm/T1.9 T1.9 to T22 0.70 m / 2'4" 183 mm / 7.2'' 95 mm / 3.7'' 2.7 kg / 6.0 lbs 58.7°
MA 50 mm/T1.9 T1.9 to T22 0.75 m / 2'6" 183 mm / 7.2'' 95 mm / 3.7'' 2.6 kg / 5.7 lbs 48.5°
MA 60 mm/T1.9 T1.9 to T22 0.90 m / 3' 183 mm / 7.2'' 95 mm / 3.7'' 2.7 kg / 6.0 lbs 41.1°
MA 75 mm/T1.9 T1.9 to T22 0.90 m / 3' 183 mm / 7.2'' 95 mm / 3.7'' 2.6 kg / 5.7 lbs 33.4°
MA 100 mm/T1.9 T1.9 to T22 0.95 m / 3'1''
210 mm / 8.3''
95 mm / 3.7"
3.1 kg / 6.8 lbs
25.4°
MA 135 mm/T1.9 T1.9 to T22 1.20 m / 3'11''
226 mm / 9.1''
95 mm / 3.7"
3.7 kg / 8.2 lbs
18.9°

1 Close focus distance is measured from the image plane
2 Front to PL mount flange
3 Horizontal angle of view for a Super 35 Cinemascope camera aperture (dimensions 22.5
 mm x 18.7 mm / 0.89“ x 0.74“)

Awards

iF Design Award